Read Mode

Biyelgee

(correct yt link, header display and adds subjects)
No edit summary
Line 1: Line 1:
{{PostForm
{{PostForm
|Body='''Biyelgee''' (Mongolian Cyrillic: Биелгээ) or Bii (Mongolian Cyrillic: Бий), is a unique form of dance, originated from the nomadic way of life. It has often been labelled in English by Chinese troupes as Mongolian bowl dancing. Almost all regions populated by different ethnic groups of Mongolia have their specific forms of Biyelgee. Especially the Western Mongols (Oirats) is famous for its Biyelgee dance.  
|Body=Biyelgee is a traditional folk dance performed by different Mongolian ethnic groups from Khovd and Uvs provinces.
 
===Origin===
In a report written by S. Somonzonbold, the State-Honored Music Scholar on Music of the Hun Dynasty, it was concluded that the Biye Biyelgee dance possibly originated from the Hun Dynasty. Additionally, Mongolian Secret History, which is considered the biggest source of Mongolian history and culture from the 13th century, mentions a wedding festivity in which the Mongolians danced till the ground became curved from stomping.
 
Biyelgee dances embody and originate from the nomadic way of life and are performed while half sitting or cross-legged. Hand, shoulder and leg movements express aspects of Mongol herders everyday lifestyle such as milking the cow, cooking, hunting, household labor, customs and traditions, etc. as well as spiritual characteristics tied to different ethnic groups. Originally, Mongolian dance developed very early is evidenced by a reference in The Secret History of the Mongols were wont to rejoice, dancing and feasting ... they danced until there was dust up to their knees ...  
Biyelgee dances are considered the origin of Mongolian national dances because they embody and come from nomadic lifestyles. Most areas of Mongolia populated by different ethnic groups have their own version of Biyelgee. In particular, the Western Mongols (Oirats) are known for their version of Biyelgee. Typically, Biyelgee dances occur in the small area inside the ger (nomadic dwelling), half seated or cross-legged. Mongol dancers express aspects of their lifestyle, including household activities, customs, and traditions, as well as spiritual characteristics associated with different ethnic groups. Dancers wear clothing and accessories with colors, patterns, embroidery, knitting, quilting and leather techniques, and gold and silver jewelry specific to their community and ethnic group. The dances are typically learned through apprenticeships or home-tutoring within the family, clan, or neighborhood. Even so, in this unique event, the expressions of centuries-old history, tradition, and culture were expressed through flexible acts of body movement. The oldest performer was an 82-year-old woman, and the youngest was a 3-year-old boy.
 
===Musical instruments===
Mongolian folk dance, Biyelgee, plays an important role in family and community events, including feasts, celebrations, weddings, and labor practices. The dances express distinct ethnic identities and promote family unity and mutual understanding among different Mongolian ethnic groups. Further, Biyelgee reflects the movement elements and characteristics inherited from Mongolian modern dance arts. Unfortunately, the distinct characteristics of dancing varieties have become vague in recent years. In addition to protecting and promoting the diversity of cultural expressions around the world, biyelgee dance is closely tied to Mongolian traditional customs, mentality, and language. Because of its outstanding and universal values, they support and promote community well-being, are a prerequisite for sustainable development, and contribute to a peaceful and tranquil life. Currently, most transmitters of Biyelgee dancing are elderly and fewer are available. Likewise, Mongol Biyelgee, with its inherent diversity, is in peril because there are only a few living representatives of distinct forms from different ethnicities.
In Biyelgee, music plays an important part in the choreographic art of the Mongols. Many of the folk dances are performed to the accompaniment of the Morin Khuur (Horse-headed fiddle), ikhel, sometimes in combination with other instruments. There are also dances which are performed exclusively to the accompaniment of the human voice, for example, the Buryat dance Yohor.
 
===References===
===Choreography===
(https://en.wikipedia.org/wiki/Biyelgee)
Choreography is rich and diverse, since people living in different parts of the country employ different means of expressing their feelings. Biyelgee is traditionally performed on the rather limited space before the hearth, so the dancers make practically no use of their feet. Instead, the dancers principally use only the upper part of their bodies, and through their rhythmic movements express various aspects of their identities, such as sex, tribe, and ethic group. Dance Movements, which can be made within a restricted space, are essential features in which the smallness of the space is compensated by the expressiveness of the movements of hands, shoulders, chest, waist, eyes and head.  
(https://www.chinadailyasia.com/lifeandart/2017-05/07/content_15608412.html)
 
(https://mongolianstore.com/mongolian-dance-bii-biyelgee/)
UNESCO page: [https://ich.unesco.org/en/USL/mongol-biyelgee-mongolian-traditional-folk-dance-00311]
|Subject=dance
|URL=https://en.wikipedia.org/wiki/Biyelgee
|Subject=dance, music
|Country=Mongolia
|Country=Mongolia
|SDG=(11) Sustainable Cities and Communities
|Media_URL=https://www.youtube.com/watch?v=yAfUZ81E42I
|Media_URL=https://www.youtube.com/watch?v=yAfUZ81E42I
}}
}}

Revision as of 08:46, 3 June 2022



Biyelgee is a traditional folk dance performed by different Mongolian ethnic groups from Khovd and Uvs provinces.

In a report written by S. Somonzonbold, the State-Honored Music Scholar on Music of the Hun Dynasty, it was concluded that the Biye Biyelgee dance possibly originated from the Hun Dynasty. Additionally, Mongolian Secret History, which is considered the biggest source of Mongolian history and culture from the 13th century, mentions a wedding festivity in which the Mongolians danced till the ground became curved from stomping.

Biyelgee dances are considered the origin of Mongolian national dances because they embody and come from nomadic lifestyles. Most areas of Mongolia populated by different ethnic groups have their own version of Biyelgee. In particular, the Western Mongols (Oirats) are known for their version of Biyelgee. Typically, Biyelgee dances occur in the small area inside the ger (nomadic dwelling), half seated or cross-legged. Mongol dancers express aspects of their lifestyle, including household activities, customs, and traditions, as well as spiritual characteristics associated with different ethnic groups. Dancers wear clothing and accessories with colors, patterns, embroidery, knitting, quilting and leather techniques, and gold and silver jewelry specific to their community and ethnic group. The dances are typically learned through apprenticeships or home-tutoring within the family, clan, or neighborhood. Even so, in this unique event, the expressions of centuries-old history, tradition, and culture were expressed through flexible acts of body movement. The oldest performer was an 82-year-old woman, and the youngest was a 3-year-old boy.

Mongolian folk dance, Biyelgee, plays an important role in family and community events, including feasts, celebrations, weddings, and labor practices. The dances express distinct ethnic identities and promote family unity and mutual understanding among different Mongolian ethnic groups. Further, Biyelgee reflects the movement elements and characteristics inherited from Mongolian modern dance arts. Unfortunately, the distinct characteristics of dancing varieties have become vague in recent years. In addition to protecting and promoting the diversity of cultural expressions around the world, biyelgee dance is closely tied to Mongolian traditional customs, mentality, and language. Because of its outstanding and universal values, they support and promote community well-being, are a prerequisite for sustainable development, and contribute to a peaceful and tranquil life. Currently, most transmitters of Biyelgee dancing are elderly and fewer are available. Likewise, Mongol Biyelgee, with its inherent diversity, is in peril because there are only a few living representatives of distinct forms from different ethnicities.

References

(https://en.wikipedia.org/wiki/Biyelgee) (https://www.chinadailyasia.com/lifeandart/2017-05/07/content_15608412.html) (https://mongolianstore.com/mongolian-dance-bii-biyelgee/)


Edit
Discussion
History